whatoh
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nevver:

Milton H. Greene
nevver:

Milton H. Greene
nevver:

Milton H. Greene
nevver:

Milton H. Greene
nevver:

Milton H. Greene
nevver:

Milton H. Greene
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lehroi:

Ellen Gallagher'Untitled', 2013.
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magictransistor:

光画 (Kōga Vol. 1, No. 3), 1930s Japan.
magictransistor:

光画 (Kōga Vol. 1, No. 3), 1930s Japan.
magictransistor:

光画 (Kōga Vol. 1, No. 3), 1930s Japan.
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hellosvstudio:

http://spin.co.uk/work/type-only
http://spin.co.uk/
http://spinstudio.tumblr.com/
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dig-image:

artpress42 1980.novembre ドイツ特集 ヨーゼフ・ボイス ニーナ・ハーゲン
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domsebastian:

Sponge Tee
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oddpears:

Australian photographer Ward Roberts has caught our eye, with his older series of work titled, Courts. In a beautiful collision of line, colour and symmetry, the series documents the simultaneously dense and empty expanses of sporting fields and courts around the world. Once populated and well-used, Courts makes a quiet comment on our indoors-y tendencies and abandonment of outdoor activities. 
We’re drawn in by the bold pastels, colour codes and beautiful architectural structures which surround and complement the environments. 
Enjoy more of Ward Roberts’ work here.
oddpears:

Australian photographer Ward Roberts has caught our eye, with his older series of work titled, Courts. In a beautiful collision of line, colour and symmetry, the series documents the simultaneously dense and empty expanses of sporting fields and courts around the world. Once populated and well-used, Courts makes a quiet comment on our indoors-y tendencies and abandonment of outdoor activities. 
We’re drawn in by the bold pastels, colour codes and beautiful architectural structures which surround and complement the environments. 
Enjoy more of Ward Roberts’ work here.
oddpears:

Australian photographer Ward Roberts has caught our eye, with his older series of work titled, Courts. In a beautiful collision of line, colour and symmetry, the series documents the simultaneously dense and empty expanses of sporting fields and courts around the world. Once populated and well-used, Courts makes a quiet comment on our indoors-y tendencies and abandonment of outdoor activities. 
We’re drawn in by the bold pastels, colour codes and beautiful architectural structures which surround and complement the environments. 
Enjoy more of Ward Roberts’ work here.
oddpears:

Australian photographer Ward Roberts has caught our eye, with his older series of work titled, Courts. In a beautiful collision of line, colour and symmetry, the series documents the simultaneously dense and empty expanses of sporting fields and courts around the world. Once populated and well-used, Courts makes a quiet comment on our indoors-y tendencies and abandonment of outdoor activities. 
We’re drawn in by the bold pastels, colour codes and beautiful architectural structures which surround and complement the environments. 
Enjoy more of Ward Roberts’ work here.
oddpears:

Australian photographer Ward Roberts has caught our eye, with his older series of work titled, Courts. In a beautiful collision of line, colour and symmetry, the series documents the simultaneously dense and empty expanses of sporting fields and courts around the world. Once populated and well-used, Courts makes a quiet comment on our indoors-y tendencies and abandonment of outdoor activities. 
We’re drawn in by the bold pastels, colour codes and beautiful architectural structures which surround and complement the environments. 
Enjoy more of Ward Roberts’ work here.
oddpears:

Australian photographer Ward Roberts has caught our eye, with his older series of work titled, Courts. In a beautiful collision of line, colour and symmetry, the series documents the simultaneously dense and empty expanses of sporting fields and courts around the world. Once populated and well-used, Courts makes a quiet comment on our indoors-y tendencies and abandonment of outdoor activities. 
We’re drawn in by the bold pastels, colour codes and beautiful architectural structures which surround and complement the environments. 
Enjoy more of Ward Roberts’ work here.